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At once the cloak of mourning and the uniform of the chic socialite, it is also a symbol of sexual sophistication
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[250] Other roles Price sang with the San Francisco Opera during her career included Donna Elvira in Don Giovanni (1959), [251] Cio-Cio-San in Madama Butterfly (1960 [252] and 1961), [253] Liù in Turandot (1961), [254] Tosca (1963), [255] Leonora in La forza del destino (1963, [256] 1965, [257] and 1979), [258] Donna Anna in Don Giovanni (1965), [259] Amelia in Un ballo in maschera (1967), [260] Elvira in Ernani (1968), [261] Giorgetta in Il tabarro (1971), [262] and the title roles in Manon Lescaut (1974) [263] and Ariadne auf Naxos (1977)
One of the most distinctive details is the feminine neckline